Allen was born in Nashville TN in 1896, but her family moved
to Brooklyn ca. 1907. She spent
1908-1910 traveling in Europe with her mother but lived in Brooklyn for most of
her life. Catherine Allen graduated from
Brooklyn’s Girls High School in 1916 and then entered Howard University where
she studied 1916-1918, the second year of which was devoted to courses on
librarianship.
After Howard, Allen worked as a librarian at Tuskegee
Institute 1919-1920 before returning to Brooklyn. She started her trial as a substitute at the
135th Street Branch in August 1920 and received her regular appointment
in November. The following year Allen
married Benton R. Latimer (1894-1985).
Her husband had attended Howard University, served in the US Army in
World War I, and later worked as an accountant in the US Post Office.
Catherine Allen Latimer had a strong physical presence although
descriptions of her varied. Langston
Hughes met her at the 135th Street Branch shortly after he arrived
in Harlem in 1921 and admired her "luscious café au
lait" skin. In fact, both the 1910
and 1930 US censuses listed her race as “White.” Pura Belpré remembered her first visit to the
135th Street Branch and how Allen “moved like a butterfly through
these tables, talking to these teen-agers and handling books.” Belpré, inspired by Allen’s purpose and
presence, wouod soon became the first Puerto Rican librarian at NYPL. Jean Blackwell (later Hutson) worked with
Latimer at the 135th Street Branch in the 1930s and her later
comment that Latimer “was literally, as the song goes, five feet high and five
feet wide” was at odds with Belpré’s imagery.
Catherine Latimer spent her entire NYPL career at the 135th
Street Branch. In 1924, she and Ernestine Rose (head librarian at 135th Street) created a
reference collection of books on the Negro and convened a meeting of community
leaders (chaired by Arthur Schomburg) to help build the collection. The following year, the collection became the
Division of Negro History, Literature and Prints with Latimer as the head. In 1926 Latimer was promoted to Grade 3, making
her an equal to the First Assistant in the branch. Also in 1926 the Library acquired Arthur
Schomburg’s outstanding collection of printed and manuscript materials
documenting the history and culture of people of African descent, and Latimer
set to work incorporating that collection into the holdings of the Negro
Division.
Latimer’s time at NYPL was not always easy. Although the Library administration was committed
to an integrated staff, some white librarians opposed that move. As the pioneering black librarian, Latimer
bore the brunt of the prejudice and hostility of those white colleagues who
opposed the Library’s progress in this area.
After a
decade at NYPL she wrote W.E.B. Du Bois, “I have labored steadily and
never complained until now even in the face of studied neglect and patent
injustice.”
In the early 1930s, NYPL worked with the Carnegie
Corporation and the American Association for Adult Education to design an experiment
in adult education for Negroes living in Harlem and Atlanta. Ernestine Rose recognized that the Schomburg
Collection would be a crucial element of that work. However, Rose had also come to feel that
Latimer lacked the bibliographic and rare book knowledge required to make the
collection more useful. Rose intended to
hire Arthur Schomburg as Curator of the collection and to transfer Latimer to
the Harlem Adult Education Project as the field worker. Latimer objected not only to her demotion but
also that Rose intended to hire a white library school graduate to catalog Arthur
Schomburg’s collection.
Latimer complained to
W.E.B. Du Bois about the situation and he attacked the Library for displacing
her. In the end, Schomburg did come to
NYPL as Curator, but Latimer stayed in place as his assistant. NYPL also promised to seek additional “qualified”
Negro librarians for the 135th Street staff.
Despite her struggles at NYPL, Latimer made major
contributions to the Library. Her
obituary in the Brooklyn Daily Eagle said she was "noted for her assistance to young Negro artists, writers and
students." Although Jean Blackwell
Hutson recognized that Latimer was not an expert in either rare books or
manuscripts, she praised Latimer as "an energetic and talented cataloger
who also delighted in receiving and instructing young visitors." During her career, Latimer created a calendar
of the manuscripts in the Schomburg Collection and compiled a bibliography on
black women.
One of Latimer’s major
contributions may have come in 1948 when Lawrence Reddick (who had become Curator
of the Schomburg Collection in 1938 after Arthur Schomburg’s death) resigned in
protest over what he characterized as NYPL’s lack of support for the
collection. W.E.B. Du Bois again
intervened and asked for Latimer’s input on a protest letter he was drafting
for publication in the New York Times.
More importantly, even though Latimer was on medical leave and would die
within a few months, she returned to the branch, gathered the Schomburg staff,
and urged them to ignore the tumult and remain focused on their work with the
Collection. The core of the staff did
stay and thus kept the Schomburg Collection functioning until Jean Blackwell
was appointed Curator in 1949.
Catherine Allen Latimer
died in Brooklyn in September 1948. She
had devoted 20 years as a cataloger and reference librarian with the Schomburg Collection and helped lay the foundation for its becoming
an internationally acclaimed research collection.